Note one · the story
Start with the story
Before we shoot, decide what these images are for and the feeling they should carry. Confident and polished? Soft and natural? Bold and editorial? The clearer the story, the more intentional every frame becomes.
- Bring reference images, a Pinterest board — even a song that captures the vibe.
- Tell me where the photos will live: a graduation wall, a website, a feed, a frame on someone's desk.
- One session can hold more than one story — we'll plan the arc together.
Note two · wardrobe
Build your looks
Plan two or three looks that each say something a little different:
- Pieces that fit well and make you feel like the best version of yourself — if it doesn't feel right at home, it won't relax on camera.
- Coordinate, don't match: a mix of tones within one palette reads richer than head-to-toe anything.
- Layers and a few accessories shift a look without a full outfit change.
- Don't forget shoes — they're in frame more often than you'd think.
Note three · fabric
When pattern earns its place
Portraits give pattern more room than headshots do — the rule isn't “never,” it's “on purpose.”
- Solids stay the foundation; a pattern joins when it genuinely suits the mood — a plaid for a cozy fall story, a floral for a garden one.
- Keep it small-scale and let it be the one statement in the outfit.
- Texture still beats print: knits, suede, denim, and linen add richness that never competes with your face.
Note four · the swing
Leave room for one bold swing
The safe looks pay the bills; the bold one becomes the favorite. Pack one thing that scares you a little — the leather jacket, the dramatic color, the concept you screenshotted at midnight.
- We shoot the reliable looks first, so the swing is pure upside.
- Editorial energy is welcome here — strong light, attitude, drama. Bring it.
- Worst case, it doesn't make the gallery. Best case, it is the gallery.
Note five · details
Hair, makeup & details
- Haircuts and color a week or two ahead — never the day before.
- Professional hair and makeup is worth it for portraits if it's in your budget; book it to finish about 30 minutes before we start.
- Doing your own? Keep it natural and pack powder, lip color, and a brush.
- Clean, simple nails photograph well — hands end up in close-ups more than you'd expect.
Note six · week of
The week of
- Hydrate and sleep — it genuinely shows in your skin and eyes.
- No sunburns, no brand-new skincare experiments.
- Confirm timing and location with me; outdoor light gets planned to the hour.
- Try everything on, steam what needs it, and hang each look together.
Note seven · the show
On set & after
- I direct every pose and expression — you never have to figure it out alone.
- We work through your looks and check frames together as we go, story by story.
- Your private gallery arrives with high-resolution files (print anywhere) and watermarked social versions for posting.